day 167 of a year of deep listening

Starting this past May 9, the 90th anniversary of Pauline Oliveiros’ birth, The Center for Deep Listening at Rensselaer Polytech is featuring a different deep listening score each day, for 365 days. The score featured today, day 167, is my Boundary Conditions III.

new in arteidolia

Robert Motherwell’s large painting Reconciliation Elegy has fascinated me since I first saw it in the autumn of 1979, not long after it went up in the then-new East Building of the National Gallery of Art. My reflections on the piece appear in the November number of Arteidolia.

podcasting about sunday’s show

Just up on Podbean, a podcast where I talk about Colla Parte, our upcoming show at Rhizome, and the discreet charm of the double bass. We’ll be at Rhizome, 6950 Maple Street in Takoma Park, at 7 PM on Sunday October 30. Hope to see you there.

an upcoming colla parte performance

I’m happy to announce that Colla Parte will be playing on Sunday evening at 7 PM at Rhizome, 6950 Maple Street in Takoma Park, courtesy of our friends at Transparent Productions. It’ll be our first time playing out since June 2021, and we’re looking forward to it.

oedipus & the other two sphinxes

Can there be three, rather than just one, sphinxes at work in the Oedipus myth? I suggest that there are in “Oedipus and the Other Two Sphinxes,” a reading of the Oedipus myth through the complementary ideas of Andre Breton’s humour noir and hasard objectif.

seventy years of (non) silence

John Cage’s “silent” work, 4’33,” had its premiere 70 years ago this month. To mark the occasion, I explore the piece and some of its farther-reaching implications in two different ways: for Perfect Sound Forever, an analytical essay, and for Arteidolia, a set of sentences and aphorisms.