Back in February, Perfect Sound Forever published a conversation Cristiano Bocci and I had regarding his work in music and mathematics. Now, with the kind permission of PSF, Percorsi Musicali has run our conversation in the original English and Italian.
In the new Perfect Sound Forever, some speculations on the role of extended instrumental technique in contemporary music.
Tomorrow night I join the Creative Music Workshop players for a show at Rhizome DC. Also on the bill: Cataclysmic Commentary and Forgetter. 8 PM, 6950 Maple St NW, in the Takoma neighborhood of Washington DC.
On the occasion of a Giacometti retrospective at the Guggenheim, two pieces on the artist from Arteidolia:
A new venture from Arteidolia. But I’ll let them tell it:
ARTEIDOLIA IS EXCITED TO ANNOUNCE THE LAUNCH of “swifts & slows” where words &/or visual imagery dialogue in call & response collaborations.
http://www.arteidolia.com/swifts-and-slows/
With work by: Carrie Crow & John Greiner, Susan Lewis & Mary Kasimor, Ron Morosan, Cam Scott & Kelsey Braun, Valeriya Gaysinskaya & Leonard Kogan, Mumtazz, Azusa Yoneta & Otoha Takenami, Gary May, Catherine Henke & Randee Silv, Tania David, Daniel Barbiero & patrick brennan, Thomas Park, Nancy McGalliard, Shannon Reece, Abraham T. Zere & Yonatan Tewelde, Jim Leftwich & John Bennett, Kathleen Reichelt, Christine Hughes &Yuko Otomo, Mary Campbell, Steve Dalachinsky & Charlie Waters
In Perfect Sound Forever, a piece about Andre Breton’s 1944 article on music, Silence Is Golden.
