What can you say musically in one minute? That was the challenge Don Campau came up with. And here are the results–Folded Space, a collection of very short pieces to which I contributed. Don artfully put them together individually and as a sequence of musical vignettes.
Endtitles, the label that released In/Completion, has posted an interview with me conducted by the label’s curator, Dominik Grenzler. It’s here; scroll down some to find it (or see here: DB Interview w Endtitles)
In Arteidolia, a two-part essay on poet Russell Atkins. Part One concerns Atkins’ poetics, while Part Two is a close reading of his poem Exteriors, Interiors.
Many thanks to Ettore Garzia for a kind review of In/Completion for Percorsi Musicali, which includes a nice interview with me about the album and about working with unconventionally notated scores in general. Ettore also writes about Now/Here, my forthcoming collaboration with Cristiano Bocci, as well as Anagrammi, Cris’s excellent collaboration for electronics and two … More in/completion reviewed in percorsi musicali
I am one of the guest artists on Jason Mullinax’s intriguing new release High Tide Falling. The album is centered on Jason’s various instruments and electronics and includes guests playing reeds, percussion and strings. I appear on the final cut, Forced Perspective.
Tonight’s edition of Don Campau’s No Pigeonholes EXP experimental music radio show will include music from In/Completion. Tune in at 6 PM Pacific time, on KOWS.
New in the current issue of Perfect Sound Forever, “Who Cares if It’s Not Jazz? Milton Babbitt’s All Set.” All Set is a long-time favorite of mine & it was nice to dig into its history and write something about it.