In the new Perfect Sound Forever, Mirio Cosottini and I have a conversation about silence, sound and their relationships. Part One of a two-part series.
In the new Perfect Sound Forever, a review-essay on John Corbett’s A Listener’s Guide to Free Improvisation.
Bassoonist Dana Jessen and I talk about the bassoon, commissioning new work, and the relationship between composition and improvisation in the latest number of Perfect Sound Forever.
In the latest issue of Perfect Sound Forever, C. Reider talks with me about process, living with sound, and the pleasure of surprise.
In Perfect Sound Forever, my participant’s-eye-view of the DC area experimental music scene. My thanks to all who make it possible.