the continuing appeal of graphic scores

097-AuxilliaryRichmond-3739

In the fine arts journal Arteidolia, some thoughts on graphic scores and their relationship to the way music is composed and reproduced in the absence of traditional notation.

(In the above photo by Barry Long, I’m explaining a page from my graphic score A Number is Best Measured by its Shadow to Tim Harding, with Rich O’Meara and Jimmy Ghaphery in the background.)

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